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®m TRAINING THE SINGING VOICE
io, American Academy of Teachers of Singing, "Caw and Development of the
Human Voice/' Music Education Journal, December, 1938, Vol % p» *6.
A statement of principle! by the commit tee <m adolescent voice, n, »— Singing, the Well-spring of Music, The Academy, New York, tfjff|»
An interesting pamphlet expressing generalized idea* cm tinging in nontechnical language, based on a series of radio talks sponsored by the Academy, i«, Anderson, Marian. "Some Reflections on Singing/' (An Interview*) Etude* Philadelphia, wj$(), Vol. 57, p. Ggi.
The distinguished American contralto discusses range, natural singing, teaching methods and other helpful topics. Reminiscences of early training are added.
13, Anonymous, '"Academy Offers Sound Advice to Vocal Students." Musician,
New York, February, 1989, Vol 34, p. 35,
A statement issued by the American Academy of Teachers of Singing discusses problems of launching a vocal career and offers seven criteria for choosing a singing teacher.
14, _, "Best Voices Vibrate 3900 a Second/' Musician, New York, January,
1993, Vol 38, p. 14, A report based on the Peabocly Conservatory research on voice*
15, — — "Dearth of Superior Singing Voices Now Explained/' Science. Digest,
Chicago, 1940, Vol 7, p, 54.
W. T. Bartholomew of Peabocly Conservatory reports on singers' difficulties.
16, ,„«»_ "The Joy of Singing/' Etude, Philadelphia, 1 f)59* ^°'* 57* P» 4*7*
The joy of singing supersedes the demands of mm* exhibitionism. With the song truly in his heart, the singer often stumbles upon it natural method of singing by himself.
17, _ "Opinions of Two Authorities on Voice Production/' Musician, New
York, July, 193a, Vol 37, p. n.
William Shakespeare and Nellie Melba discuss certain principles of breath control Essentially, breath economy h advocated, iS, __ "Singing in a Foreign Language/' Etude, Philadelphia, 1954, Vol 5«, p. 741, '
Italian, French and German are essential languages to the modern singer. The public demands it, and that settles the matter beyond further argument. i9. __» "Variations in Pitch of the Voice/' Science n.s., New York, 1954, Vol 80 supplement, p. 7.
Report given at American Psychology Association meeting, on ex« perimental results in pitch testing of vocal artists, by Harold G* Seashore. *o. Armstrong, Felice M. "Breath Control and How to Attain It/' Etude, Philadelphia, 1936, Vol. 54, p. 448.
Breath control is the first essential in learning to sing. Eleven short exercises are listed which the author extravagently claims "will solve practically any problem of breathing/' |
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